CGOA Design Competition: Going Pro

Whether you’re an entrant ready to go pro… or so not interested… the annual CGOA Design Competition is for many the gateway to publication.  Let me be clear.  The competition is open to all members, amateur hobbyists and professional designers alike; the event is about celebrating creativity and excellence in crochet, and not about publication. It is a fact that we don’t require written patterns. However, when such a collection of outstanding crochet goes on display at our event and on-line, certain entries are bound to catch the attention of magazine editors hungry for fresh meat… uh, great designs. The prize winners in the Fashions and Accessories categories are the particular targets, with some designs getting sold and snatched right off the exhibit.

So, if you are a professional designer, or hope to become one, or think that you kinda sorta might be able to write a pattern (especially since they’re paying you!), you could find yourself among the ranks of our past winners who have gone on to further fame and glory: publication.  Here’s a look at some of our 2012 crossover hits.

Designed by Tammy Hildebrand, her Mystique top, 2012 First Prize winner in the Fashion category, morphed into the published design, Bloomsbury, featured on the cover of Interweave Crochet, Spring 2013.

65 MystiqueTammy HildebrandIWCSpring13Bloomsbury Top

Designed by Jennifer Ryan, the Glendalough Shrug, winner of the 2012 second prize in the Fashion category, got a makeover to become Kerry, as seen in the Spring 2013 issue of Crochet! Magazine.

49 Glendalough ShrugJennifer RyanKerry Shrug

Designed by Kathryn White, winner of the 2012 first prize in the Accessories category, Knots of Love shawl became Love is a Rose, featured on the cover of Interweave Crochet Summer 2013.

29 Knots of LoveIWCSummer13Love is a RoseLove is a Rose detail

Designed by Linda Dean, Vineyard at Dawn, winner of the 2012 second prize in the Accessories category, appeared in the Spring 2013 issue of Crochet! Magazine.

44 Vineyard at DawnLinda DeanVineyard at Dawn

Designed by Diana Toni, The Whirlwind, 2012 third prize winner in the category Fanciful Fashion, also graced the pages of the Spring 2013 issue of Crochet! Magazine.

62 WhirlwindDiana ToniWhirlwind

I am now preparing the 2013 Design Competition to be held next week at the CGOA Fall Conference in Charlotte, NC. Winners will be announced here following the official Awards Ceremony, Thursday evening 3 October.  Keep a close eye on the results, and watch for some talented winners and their brilliant designs to pop up in our favorite crochet magazines in the coming seasons.  Best of luck to all!

CGOA 2013 Design Competiton: Entry Form

Just a short announcement for all Crochet Guild of America members eager to complete their entries to the CGOA 2013 Design Competition. Here is the remaining link in the process, the electronic entry form.

2013 Entry Form

The deadline for entry shipments to arrive at the receiving location is 6 September, 2013.  Please complete and submit the form when you are ready to ship your design.

The CGOA Design Competition is an event like no other, celebrating and rewarding crochet creativity and excellence, offering thousands of dollars in cash prizes for original crochet designs in six judging categories. Many thanks to our magnificent sponsors for 2013:

Gwen Blakely-Kinsler, sponsor for the Founder’s Award.

Boye & the Crochet Dude (Drew Emborsky)

DesigningVashti (Vashti Braha), sponsor for the Technical Merit Award

Interweave Press/Crochet Me

Jenny King Designs

MainlyCrochet.com

Red Heart Yarns

Tulip Company, makers of Etimo crochet hooks

WEBS, America’s Yarn Store

Karen Whooley/KRW Knitwear sponsor for the People’s Choice Award.

As the producer of the competition since 2010, I am overjoyed to see how the event has developed and continues to attract quality entries from CGOA members across the country as well as internationally.  I look forward to seeing your stuff soon, but ultimately it is our panel of judges that you’ll need to impress: Marcy Smith, Editor at Interweave Crochet Magazine; Bobbie Matela, Creative Director at Coats & Clark; Renee Rodgers, Designer and owner of CrochetRenee Designs.

I hope to meet you at the CGOA 2013 conference in Charlotte/Concord, NC, where we will announce the winners during an awards ceremony on 3 October.  Best of luck!

 

Foundation and Crochet: The Webinar

Break free of the chains that bind you to ordinary crochet!

Hokey Smokes, that makes me sound like some nut-job activist.  But mine is a career-long crusade that stirs in me (and in all those it touches) much passion and wonder.  It reminds me why I chose to do what I do; it reinforces my belief that our craft is dynamic, relevant and totally cool.

The object of my crusade, the subject of my fast approaching webinar, is this:

4 Trim Fsc

In a naked state, it’s the cord that blazes across the banner that’s in your face every time you visit this site: the Foundation Single Crochet, one of a family of chainless foundations that I swear will change your life.  Since I don’t do any in-person teaching yet, this is my best opportunity to pass on what I have learned. For the first time ever I will be up on my virtual soapbox talking about this technique and showing you everything you need to make chainless foundations your own.storeimage

Join me, Wednesday, 7 August, starting at 2 pm Eastern, for the live on-line seminar (webinar), Foundation and Crochet hosted through Interweave (F&W Media).  Click on the image for details on how to register. The event is not free of charge; there is a $20 fee. During the live feed there will be opportunities for you to ask questions and get answers from me, but if you can’t attend the live feed you will be able to view or purchase it later. Although the presentation will be in PowerPoint format (a glorified slide show) I promise there will be tons of close-up detailed images to illustrate each step and show you the way to chainless glory.  Even if you already have chainless foundations in your crochet bag of tricks, I think I can still show you a thing or two on August 7th. Hope you can be in the house, as I could use some moral support from the posse. 🙂

 

Convertible Crochet: Zodiac Extra

In the course of crochet designing I create pieces of a certain class that never get published.  They are prototypes and practice runs, or in blunt terms, they are rejects. Some of these are never finished as full samples and acquire UFO status, see Rule #20. A few are alternate versions of published designs that for whatever reasons are not included with the pattern. And a few are personal garments that (assuming I can squeeze into them!) I wear at events where showing off your crochet is de rigueur. VKL NY January 2012 signing

For the book Convertible Crochet I did a lot of extra crocheting just to figure out for myself how the constructions would work under varying circumstances. Like not getting gauge.  Like the neckline being too huge. Like the garment proportions not being human.  Like running out of yarn. The worst of the experiments became UFOs that you really don’t want to see or know about; make that I don’t want you to see or know about them.

But a few of the more attractive alternate versions can be enlightening for readers of Convertible Crochet and it’s these saved samples that I’d like to share with you as book extras.  Let’s look at  Zodiac as published:

Zodiac

Zodiac

In the book, Zodiac is a relaxed fit tunic with octagons added for sleeves, crocheted in DK weight superwash wool, Filatura Di Crosa Zara.  Before this yarn was ordered, I began tinkering with an early prototype in a stash yarn, Blue Sky Alpacas Alpaca Silk.  Not only did this heavenly yarn NOT work to the target gauge, but there wasn’t enough on hand for the sleeves! Owing to the more delicate nature of this yarn, I knew I really shouldn’t rip out the completed body, so this stash remained tied up in a doomed prototype until much later, well after the book was written. Cobbling together any little scrap balls left from the main construction, I created bindings for the armholes in lieu of sleeves and I got a lovely long vest that I previewed in New York at Vogue Knitting Live, January 2012 (a year and a half before the book was published).

Zodiac Sleeveless

This version is crocheted as written for Zodiac, with just a few alterations. Knowing what happened here can help you deal with your own results.

The first issue is the gauge for this yarn. It is a touch finer and silkier than the design yarn, not as wooly, plump and rounded. So the motifs are just a fraction of an inch smaller than stated gauge. There is still plenty of room inside for a vest at this size, but it is slightly shorter in the body.

The major issue is that I ran out of yarn. With the four 50 g hanks on hand (about 580 yards) there wasn’t enough for two more big octagons for sleeves.  Here is the book sample laid out flat:

Zodiac flat

Because the tunic is designed to have a dolman sleeve shape, omitting the sleeve octs leaves huge droopy armholes.  I opted to finish the motif edges of the armhole with a binding using Foundation Single Crochet for the foundation, combined with a controlled type connecting round of chain spaces. To match at the neckline, I also worked the binding around the neck edge with Fsc (instead of the Fdc as written).

Zodiac Sleeveless flat

And here’s a tip that addresses one annoying problem with this design.  Zodiac lower sleeve is defined by the connecting of two octagon motif sides; the finished edge at the point of the sleeve is equal to the sum of two motif sides (10″) but the circumference at the connection is somewhat less (more like 8″).  Working gauges smaller than written will suddenly and inevitably result in non-human sleeve circumference.  If you find yourself in this situation where the sleeve bottoms are too tight for comfort, omitting the sleeves and binding the armholes as I did for this prototype is a brilliant way to rescue your project and have something wearable. Rule #3! VKL NY January 2012 at Knitty City BoothVKL NY January 2012 teaching

Enemy of Crochet

It’s still a mystery to me how this web stuff works.  What brings readers to this blog, what do you peruse while here and what can I do to lure you back?  No idea.  In the past week, one of my pages, Crochet Rules, has received extra attention.  I’m talking five times the usual views for a couple of days for no apparent reason.  This is puzzling but it’s welcome.  I add rules to the list every once in a while as they occur to me and I hope that readers check back to see them.

So today is one of those once in a whiles.

Crochet Rule #31: The sworn enemy of crochet, eclipsing all others for viciousness and cruelty (including coffee, hot irons and the CEO of the US division of Clover), is Velcro.

Need I say more?  🙂