>An Auction Where Everybody Wins

>CGOA Chain Link 2008 draws near and among my fiberazzi friends the anticipation is palpable. It’s altogether possible that most aren’t even reading this because they are in the throes of the Chain Link Crunch: the last minute crocheting of things to wear/bring to the event. Happy, joy, I am done with the crocheting. It’s the packing that concerns me now.

Packing for Chain Link isn’t like anything a person would do in normal life. Don’t laugh, but I was so relieved to discover from my friends that I am not the only one who is worrying about underwear. Bringing the right underwear. Having enough underwear. It has taken five years of camaraderie to get to the point where my peeps feel comfortable enough to mention this. Hey, it’s not a subject that comes up in casual conversation, you know. Stop laughing.

Don’t think that it helps if you can remember what clothes, shoes, yarns, tools and paraphernalia you brought the previous years and avoid repeating your mistakes. You’ll just go on to make new mistakes this year.

So, I am standing hip-deep in a heap of stuff that will eventually get sorted into two heaps: What I’d Like To Bring In An Ideal World, and What Will Fit Into My Suitcase. I found a sweater that I did not recognize at first. Then it hit me. I had the pleasure of modeling it last year.

It is a design that appeared on the cover of summer 2007 CastOn, the official publication of our sister organization the Knitting Guild Association (TKGA). Yes, it is (gasp) knitted. In retrospect this must have been confusing to many attendees who got the impression that I designed the piece. Nope. The Cowl Neck Sampler Pullover was designed by Esther Yun-Mancini, a brilliant and fashion savvy art director/stylist at Tahki Stacy Charles. And she’s not a bad crocheter, either. (BTW, if you’re ever lucky enough to meet Esther’s husband at one of these events, try not to drool!) Sweater looks pretty good, huh? I made sure I took home a copy of that CastOn issue thinking I’d brush up my knitting skills and make one. Yeah, right. Never gonna happen.

So what is it doing in my heap, you ask? I didn’t abscond with it, if that’s where you’re going. A couple of months later this garment came up for auction and I bid on it…. and WON! The Rwanda Knits auction in October is an opportunity to get your hands on some of the fabulous design samples you’ve seen in magazines, catalogs and online and help this life-changing cause at the same time. Cari Clement, the driving force behind the organization, just leaked to me that at least two garment samples that I crocheted are going on the block during this year’s auction: the rose-colored Lacy Duster and the blue Lacy Jacket. How cool is that? I’ll remind you about the Rwanda Knits Auction closer to the event in October, so keep your eyeballs peeled and your bidding skills honed.

Meanwhile, who’s gonna sit on this suitcase so it will shut?

>Can this be right?

>Today I am fielding questions from a crocheter on Ravelry who is having third and fourth thoughts about making one of my garment designs, sweating bullets over the process, ripping and re-doing multiple times. From her message I see that she clearly understands the pattern. She just can’t believe that this can be right.

I totally get that many of my patterns are complicated beyond belief. They could have been worse, much worse. Writing down every maneuver it takes to shape a seamless yoke with increases in pattern stitch for six sizes and for four or five variations requires more words than any publisher will allow. So we adopt certain conventions that assume some shared knowledge. And occasionally we ask you to wade through reams of text and flip back and forth between pages. If you are a visual learner, this quickly turns into your worst nightmare. How do you know if you’re getting it right?

You know what? Sometimes you can’t tell. Here’s the thing. Often, seamless garment construction means that your work may start out like a train wreck and go downhill from there. Hey, even the beginning rows of my own personal projects are a confusing pile of loose ends, marker yarns and weird increase corners. It goes with the territory. All I can say is eventually, if you take it stitch by stitch and trust your hands, it will all make sense and start to look right. I wish I could come over your house and show you how to relax and just do it without overthinking. Maybe if you could see what the piece looks like right off my own hook you’d feel better about that mess in your hands. So here goes.
Take the cardigan (Chapter 4) from Everyday Crochet. This construction is the jumping off point for the four designs Cinnabar, Soft Serve, Mocha Roca and Mei-Mei. For the smallest size (35), this is what I get.
ROW 1:
ROW 2:


ROW 3: Hope this helps.

>Designing From the Hip

>I don’t remember if any one of us actually said this, but we must have been thinking, “Hey, kids! Let’s put on a show!”. It was with the exuberance and naivete of a gang of kids in an Andy Hardy movie that a group of us crochet designers/friends put our collective heads together and dreamed up this project:

Astounding, but here’s the proof. We did it. Crochet Belts From the Hip is available now for $15. Download it using the link at left or visit our publishing group.

My small contribution to our book, aside from the aggravation and heartfailure I may have caused my fellow authors, is the design Hip Hemp Belt. Using sample yarns generously donated by Lanaknits and Kreinik (pressed into my eager hands at 2007 TNNA Columbus), this belt is worked in Tunisian (afghan) crochet, with tapestry-ish embellishment, a major departure from my usual MO. But that’s what small projects are for… trying out new techniques and new materials… boldly going where your hook has not gone before.

>BACKSTORY: My Michaels and the Duster

>HOLY HANNAH! For once I am speechless (yeah, right, that won’t last long :D).

When one of the biggest yarn retailers on the planet, Michaels Arts&Crafts, chooses to spotlight and support crochet design and designers, you can bet your ball winder that it’s a grand day for crochet. Starting today my own designer page at the Michaels.com website goes live. I am so honored to be the first one there. Hey, I don’t mind being the guinea pig; at least not such a COOL guinea pig! Eternal gratitude to Suzi, Content Editor for Michaels.com, and Cari, Director of Fashion & Design for Caron International, for making this happen.

Skim over the lengthy biography if you must (when do I write anything that’s short and concise?) and get to the good part: the link to a collection of free patterns for my designs from Caron International. There in one place you’ll find some of my favorite garments made in Simply Soft.

Those who know me are not surprised that I need very little nudging (OK, no nudging at all) to model my designs in fashion shows. My excuse… uh, rationalization… is that nothing shows the beauty, drape and movement of a garment like sending it down the catwalk. No static image, not even the classiest photography on the most winsome fashion models can adequately convey the swirly, twirly, girly fun of lace. One case in particular is this duster I wore last summer at 2007 CGOA Chain Link. That night was totally hysterical. Kudos to Dee Stanziano for capturing the exuberant end-of-runway spin through her magic lens.

For me the challenges of modeling at CGOA fashion shows are twofold: maintaining dignity while all your guild buds are hooting it up, and teetering on 2 1/4″ heels, which are really high considering my usual footwear consists of various pairs of mismatched Converse All-Stars. Lucky for me I wasn’t required to chew gum at the same time.

YIPPEEE! The Caron Crochet Lacy Duster is one of the free patterns now linked through my Michaels page.

Doubledogdangit! The gauge was inadvertently left out of this pattern:
12 BASE CH/SC (aka Foundation single crochet) = 4”
In pattern, 2 repeats (SH, ch 2) body pattern = 3”, 5 rows shells = 4” as crocheted
NOTE: Weight of body results in substantial growth in total length when worn.

>What I’m not wearing today: Elegant Ewe All Shawl

>
This is the All Shawl made for the Elegant Ewe, my book signing host for 2008 CGOA Chain Link in Manchester NH, in a stunning new colorway with which Marci had fallen in love. As is my usual method of procuring materials for design purposes, I contacted the distributor, begged and begged and held my breath. Luckily I did not have to miss much oxygen, because Lisa at Fairmount Fibers sent this yarn before I had barely begun to turn blue. 😀 Thanks, Lisa!

Alas, my amateur photography does not do justice to this fabulous yarn. It is Manos del Uruguay Silk Blend in the variegated colorway Olivewood. The true colors are much warmer and golden than the image, trust me. And even though these are not MY colors and even though I can’t wear wool, I am so tempted to keep this. Ah, heck. Too late.

With the handsome, taller-than-me Marci and Kelly in mind, I fashioned this version to be better proportioned and a touch fuller for extra fling and drama. It required perhaps 100 yards more yarn to do one this way, but worth every inch. Here are the specifics:

SIZE 20” back length, 50” front edge

MATERIALS
Manos del Uruguay Silk Blend; 30% silk, 70% Merino Extrafine Wool, Kettle Dyed; 1.75 oz (50 g)/150 yd (135 m)
4 hanks in 3120 Olivewood (approx 540 yds used)
Size J-10 (6 mm) crochet hook

GAUGE
In edc mesh, 9 sts = 4″; 4 rows = 3″

INSTRUCTIONS
Make a medium length, fuller version of the basic All Shaw by: Fsc 9, with 9 V’s in Row 1 (18 sts), work mesh body to 20 rows total (170 sts). Continue with lace trim, making 21 lace pattern repeats.

I wish this was a petting blog so you could feel the luxury of this fabric!