>Designing From the Hip

>I don’t remember if any one of us actually said this, but we must have been thinking, “Hey, kids! Let’s put on a show!”. It was with the exuberance and naivete of a gang of kids in an Andy Hardy movie that a group of us crochet designers/friends put our collective heads together and dreamed up this project:

Astounding, but here’s the proof. We did it. Crochet Belts From the Hip is available now for $15. Download it using the link at left or visit our publishing group.

My small contribution to our book, aside from the aggravation and heartfailure I may have caused my fellow authors, is the design Hip Hemp Belt. Using sample yarns generously donated by Lanaknits and Kreinik (pressed into my eager hands at 2007 TNNA Columbus), this belt is worked in Tunisian (afghan) crochet, with tapestry-ish embellishment, a major departure from my usual MO. But that’s what small projects are for… trying out new techniques and new materials… boldly going where your hook has not gone before.

>BACKSTORY: My Michaels and the Duster

>HOLY HANNAH! For once I am speechless (yeah, right, that won’t last long :D).

When one of the biggest yarn retailers on the planet, Michaels Arts&Crafts, chooses to spotlight and support crochet design and designers, you can bet your ball winder that it’s a grand day for crochet. Starting today my own designer page at the Michaels.com website goes live. I am so honored to be the first one there. Hey, I don’t mind being the guinea pig; at least not such a COOL guinea pig! Eternal gratitude to Suzi, Content Editor for Michaels.com, and Cari, Director of Fashion & Design for Caron International, for making this happen.

Skim over the lengthy biography if you must (when do I write anything that’s short and concise?) and get to the good part: the link to a collection of free patterns for my designs from Caron International. There in one place you’ll find some of my favorite garments made in Simply Soft.

Those who know me are not surprised that I need very little nudging (OK, no nudging at all) to model my designs in fashion shows. My excuse… uh, rationalization… is that nothing shows the beauty, drape and movement of a garment like sending it down the catwalk. No static image, not even the classiest photography on the most winsome fashion models can adequately convey the swirly, twirly, girly fun of lace. One case in particular is this duster I wore last summer at 2007 CGOA Chain Link. That night was totally hysterical. Kudos to Dee Stanziano for capturing the exuberant end-of-runway spin through her magic lens.

For me the challenges of modeling at CGOA fashion shows are twofold: maintaining dignity while all your guild buds are hooting it up, and teetering on 2 1/4″ heels, which are really high considering my usual footwear consists of various pairs of mismatched Converse All-Stars. Lucky for me I wasn’t required to chew gum at the same time.

YIPPEEE! The Caron Crochet Lacy Duster is one of the free patterns now linked through my Michaels page.

Doubledogdangit! The gauge was inadvertently left out of this pattern:
12 BASE CH/SC (aka Foundation single crochet) = 4”
In pattern, 2 repeats (SH, ch 2) body pattern = 3”, 5 rows shells = 4” as crocheted
NOTE: Weight of body results in substantial growth in total length when worn.

>What I’m not wearing today: Elegant Ewe All Shawl

>
This is the All Shawl made for the Elegant Ewe, my book signing host for 2008 CGOA Chain Link in Manchester NH, in a stunning new colorway with which Marci had fallen in love. As is my usual method of procuring materials for design purposes, I contacted the distributor, begged and begged and held my breath. Luckily I did not have to miss much oxygen, because Lisa at Fairmount Fibers sent this yarn before I had barely begun to turn blue. 😀 Thanks, Lisa!

Alas, my amateur photography does not do justice to this fabulous yarn. It is Manos del Uruguay Silk Blend in the variegated colorway Olivewood. The true colors are much warmer and golden than the image, trust me. And even though these are not MY colors and even though I can’t wear wool, I am so tempted to keep this. Ah, heck. Too late.

With the handsome, taller-than-me Marci and Kelly in mind, I fashioned this version to be better proportioned and a touch fuller for extra fling and drama. It required perhaps 100 yards more yarn to do one this way, but worth every inch. Here are the specifics:

SIZE 20” back length, 50” front edge

MATERIALS
Manos del Uruguay Silk Blend; 30% silk, 70% Merino Extrafine Wool, Kettle Dyed; 1.75 oz (50 g)/150 yd (135 m)
4 hanks in 3120 Olivewood (approx 540 yds used)
Size J-10 (6 mm) crochet hook

GAUGE
In edc mesh, 9 sts = 4″; 4 rows = 3″

INSTRUCTIONS
Make a medium length, fuller version of the basic All Shaw by: Fsc 9, with 9 V’s in Row 1 (18 sts), work mesh body to 20 rows total (170 sts). Continue with lace trim, making 21 lace pattern repeats.

I wish this was a petting blog so you could feel the luxury of this fabric!

>Forgiven, Not Forgotten

>Upon hearing the news about the passing of George Carlin, I sat shocked and saddened. And then I think I smiled, because I immediately thought of those classic Carlin monologues that never fail to crack me up. Laughter is his legacy; what better tribute than to ROFLMAO!

One Carlin bit that came to mind, perhaps the only one that may be repeated in polite company, is the tirade about storing your stuff. My initial smile led to thoughtfulness, which led to my blog (why are you not surprised?), where I now follow my stream of consciousness.

Ever wonder where your stuff goes when you lose it? Odd socks, earring backs, loose change, pens, and the many small implements of crochet, yarn needles, stitch markers and hooks, where do they go? When I was a kid I thought I had the answer. I thought I had ALL the answers. I now realize that I did have all the answers… I’ve just forgotten them.

In 1963, Mrs. Hill, my third grade teacher at Fleetwood Elementary School, sent us home with a summer reading list and unknowingly changed my life. I am not sure how many of the books on her wonderful list I got to read, but I do remember three in particular. Black Beauty (1877), by Anna Sewell, A Wrinkle in Time (1962), by Madeleine L’Engle, and The Borrowers (1953), by Mary Norton. The first reaffirmed my love and respect for horses. The second touched off a life-long fascination with science fiction and fantasy literature. The third, in the eyes of an 8-year-old, provided a possible explanation for one of life’s biggest mysteries.

In The Borrowers and the sequels that followed, Mary Norton wrote about tiny people who lived down the mouse holes, behind the wainscoting and under the floorboards of a quiet country house in England. They “borrowed” stuff from the “human beans” to use as furniture, tools, for clothing and food. It’s like “Land of the Giants”, only we are the giants and they are not here by accident. They bore a similarity to mice I knew; Jerry, of “Tom and Jerry” fame, Gus-Gus and Jacques, chatty mouse pals of Cinderella.

Unlike cartoon mice, the borrower folk preferred to remain hidden from our view, sneaky and furtive. So we don’t see them. That doesn’t mean they aren’t there. People believe in lots of things that you can’t see, measure or prove. I suspected I had borrowers in residence, messing around in my room while I was away or asleep. And I was certain they were stealing my stuff.
I kept quiet about my suspicions.

Hey, there were worse things around. Real borrowers would have been cuter, neater and less creepy than the spiders I was warned would breed in the dusty, dark corners of an improperly cleaned room. After a fashion I felt sorry for them. Hey, if they did exist they couldn’t have jobs in order to earn a living. They HAD to borrow what they needed to survive.

I began to excuse and then forgive them for taking those trivial items I thought I had lost. I started leaving things out as an invitation to borrow. They might like some of the fussy clothes and accessories my mother crocheted and sewed for my dolls. Nothing I offered of this nature was ever taken, and I couldn’t say I blamed them for passing on it.

Compared to borrowers, the following theories are pretty mundane, but they now seem more plausible.

I now know that upholstery eats crochet hooks. Any seemingly friendly, innocent, comfy upholstered sofa or chair can become a tool-ingesting beast. It is totally maddening to know your F hook is down there, deep inside, wedged between the cushions and framework just beyond the reach of your fingers. Automobile upholstery is the worst. It is possible, though difficult, to turn an offending sofa upside down and rip out its guts to get at your hook. You can’t do the same with a car, especially when the upholstery is leather and HE really cares about it. There are at least three late model used cars being driven around, the owners of which have no idea of the treasure that’s buried behind the back seats.

My dog steals stuff. He is a neurotic little fluff-head. At 7 pounds, which is fat for a Chihuahua, he is smaller than an average house cat. A real dog would walk right past a plastic split ring stitch marker on the floor as too insignificant to bother with. To Cookie it is a toy. Luckily, he is not a chewer, and so far he has not swallowed any of his tiny finds. He merely makes them slobbery, carries and tosses them around. But every time I lose a needle, marker, button, bone ring or bead I run over and pry open Cookie’s mouth. Maybe that’s why he is so neurotic.

The vacuum cleaner sucks up the rest. That unnerving, loud “CRACK” is the sound of a lost bead or tool entering the maw of your vacuum. It has been suggested that one can simply search through the contents of the vacuum bag or dirt receptacle for lost stuff. That has been suggested by people who have never in their lives emptied a vacuum bag or dirt receptacle.

>What I’m wearing today: All Shawl Take 2

>WOWSERS! I am pleased to announce that my book signing host last season, the Elegant Ewe, will have me back this year. WHOO-HOO! So I’ve just made arrangements with Marci Richardson for a couple of “smile, you’re it!” sessions at the Elegant Ewe booth in the Market at 2008 CGOA Chain Link in Manchester, NH later in July.


Marci and Kelly are both terrific models for my garment samples, so much so that this year I want to make special pieces for them to wear during the event and display in their store. Eventually I will know what yarns they’d like to use, but for now I am tinkering.

And I think I’ve got it. Messing around with some Tahki Cotton Classic over the weekend, I took the basic All Shawl body and added an alternate lace edging. It is a “grain” pattern adapted from a vintage thread placemat, transformed into a big, bold statement when crocheted in this DK weight mercerized cotton yarn. Sorry Marci and Kelly, this one’s MINE!