Of “Crochet Scarves”, Carrots and Sticks

In keeping with my previously established, more disciplined approach to newsy important posting (as opposed to the manner in which I present the more imaginative, inconsequential posts), I am telling  you up front that today you have an opportunity to win a copy of my friend Sharon Silverman‘s incredible new book, Crochet Scarves: Fabulous Fashions – Various Techniques (Stackpole Books, 2012).  I guess that’s your carrot.  🙂

It occurs to me that the efficacy of the whole carrot (the reward) and stick (the threat) thing completely depends upon your species, your point of view and inclinations.  If you’re a pony, then OK. Consider my dog.  To him, carrots are not edible (this is the little brat who often behaves as though dog food isn’t edible, either.)  Put a carrot in his dish and he’d probably sniff it, scratch all around the dish for a few minutes, push the carrot out of the dish, toss it around the floor for another few minutes before beginning to whine. But present him with a stick… WOWSERS, a stick! He’ll chase that stick until he collapses in panting exhaustion. So to him the carrot is the threat; the stick the reward. Speaking as a person who doesn’t care much for carrots, I’d be much more motivated if you dangled chocolate cake instead. And if the stick can be used to hold crochet stitches, then that’s going to be more intriguing than threatening.  It would have to be something totally horrible, like, say pattern sizing, to be a true threat.  If offered the chocolate cake or the pattern sizing, you could get me to pull the cart, no question. See what I mean?

So for the sake of a better figure of speech, I should really let you fill in your own choice. Sharon’s new book, Crochet Scarves is [your reward here]. Turns out Sharon Silverman and I are practically neighbors.  We finally met face to face last spring over some evil orchids.  But that’s another story.

The concept of this book is quite brilliant.  In Sharon’s hands, the lowly scarf becomes the canvas for the exploration of various crochet techniques, ranging from mitered squares to lace and colorwork, broomstick crochet and (what I consider to be her specialty) Tunisian crochet. Each of the 21 scarf projects is accompanied by an achingly complete tutorial, including step-by-step images of hands, hook and yarn, stitch symbol diagrams and close-up shots of the fabric.  No matter what sort of learner you are, Sharon’s got you covered.  Not only do her lessons prepare you to make the scarf designs in the book; this is stuff that will boost your confidence when working on other people’s designs (including mine!).

While Sharon’s scarves are the perfect teaching tools for techniques, they are also majorly wonderful opportunities to experiment with different yarns.  Many of the projects require just one skein of fabulous yarn, or one skein of each color. I have two favorite designs.  Cactus Lace alternates broomstick with rows of double crochet to great effect.

Electric Lime is an awesome way to make variegated yarn look good in crochet.  It is done in Tunisian net (also called Tunisian full stitch) that allows the color changes to overlap, like bargello. Clever.

My blog today is merely the first stop on the tour for Crochet Scarves, a month-long celebration.  Check Sharon’s website and Facebook page for the latest links and book giveaways.

Now the exciting part. Please leave a comment below to enter a drawing to win a copy of Crochet Scarves compliments of Sharon Silverman and Stackpole Books. You don’t have to write anything fancy.  Sucking up to either me or Sharon won’t improve  your chances because a number will be chosen at random.  Yeah, right.  Deadline for comments is midnight Eastern Time, 21 July, Saturday night.  I’ll be back on Monday to announce the winner and award the carrot.  Or chocolate cake.  Whatever. 🙂

Theoretical Ball Winding and Crochet

Having blogged here about yarn twist, I was asked if it mattered which end of the yarn skein you pull first, the outside tail or the inside tail.  I had to think about that.  Eventually I came to realize that it does not make any difference in the twist.  Once there is a twist in the strand, that twist is the same no matter which end is up, because S or Z twist are determined by looking at the strand laid flat and is the same upside down or downside up.  Does that make sense?

It took a while for me to come to that conclusion. I am the one for whom the retort “No, your other left” was created. Left, right, east, west, clockwise, counter-clockwise, RS, WS… it all gives me a headache. This mild disorder of mine is the reason why I (and any of my employing editors who are wise or forewarned) grudgingly fork over large sums of money for technical editing.

A world-class crochet tech editor is worth her or his weight in dilithium crystals, make that naquadria, or at least well worth the 30-plus US dollars per hour that is the current standard fee. Considering that on my part, the process of designing, crocheting the sample, writing and sizing the pattern for a crocheted garment design (depending on the complexity) can consume well over 40 hours of my time, this hardly seems fair. I will never in my lifetime be offered $1200 for a single design that took me 40 hours. The way things are, I often don’t make minimum wage, and that’s the truth for most designers. But nobody said this career was fair.

Anyway, my problem with directionality was recently put in high relief when I began playing with my new in-line ball winder. A ball winder is a useful tool for any yarn work. It makes happy yarn cakes and is indispensable for turning hanks into usable form, for straightening up tangled skeins and for ripping.  My old one, a Royal ball winder has served me well for many years. The Royal winds with a tilting motion, but essentially spins carousel style.
My new toy is a Lacis In-Line Ball Winder which turns Ferris wheel style.

Why would I bother buying a second ball winder when the one I already own works fine? You sound like my mother, who might ask the same thing. I got the idea while making a sample for DJC: Spirals in ribbon yarn.Tess’ Designer Yarn Microfiber Ribbon is a flat, woven nylon ribbon, about 1/8″ wide. It has no twist, but it will show you how Z-twisty your yarn gets as you crochet because as we previously discovered, crochet puts Z-twist in the yarn.

Like many hand-dyed or specialty yarns, it is put up in hanks so you have wind the hanks into skeins or balls in order to use it.  This stuff is so totally slick and slippery that it cannot be wound in the customary way.  Trust me, the first time I worked with this ribbon I tried using my favorite wooden umbrella yarn swift to hold the hank along with my Royal ball winder.It was a disaster, where the hank kept sliding down off the swift and the balls kept flying apart on the winder. The trick, according to the warning on the back of the yarn label, which I did not see until too late for that first attempt, is to use the swift sideways, Ferris wheel style, so that gravity doesn’t cause the hank to fall off the spokes. So  I switched to the metal swift which can be tilted.

I don’t like this swift as much because there are metal fittings and rings that sometimes catch yarn strands.  But using this orientation coupled with winding the ball by hand and not with the Royal winder proved satisfactory, if a pain in the butt. It occurred to me that if I had a ball winder that worked Ferris wheel style in the same way as the swift, maybe it could be used for this and other similar problematic yarns.  So, ever the optimist, I got the Lacis In-Line.

But the orientation of the yarn cakes isn’t the only difference between these two tools.  When you turn the handle in the recommended clockwise motion (to the right, huh?), the spindle of the Royal turns in the same clockwise direction, but the Lacis spindle is geared differently and turns in the opposite direction, counter-clockwise.

The terms clockwise and counter-clockwise are not absolute; they depend on your point of reference. The prime example is the Earth’s rotation.  The earth rotates on the imaginary axis that runs from pole to pole toward the east. If viewed from the North Star Polaris, or if you’re standing at the North Pole, the Earth is spinning counter-clockwise.  But if you’re at the South Pole things get hinky and mirrored, so the Earth is spinning clockwise. Obviously the Earth hasn’t changed; only your perspective has changed.

BTW, the myth that water goes down the drain in opposite directions in the Northern and Southern Hemispheres is just that, a myth. It is true that due to the Coriolis effect on the rotational dynamics of our planetary atmosphere, cyclones (meaning not just tornadoes but large scale atmospheric disturbances that happen constantly) spin counter-clockwise in the Northern Hemisphere and clockwise in the Southern Hemisphere.  But at the level of a bathtub filled with water, the Coriolis effect is negligible.

So with that in mind, I should stipulate that the clockwise-ed-ness of the spinning is here being determined from the viewpoint of the end of yarn that you initially wedge into the slot. In the Royal winder, the slot is at the outer tip of the cone.  If you look down on the top of the cone, the end of yarn is going clockwise.  In the Lacis winder, the slot is in the disc at the base of the cone.  If you look at the disc from the bottom (your position while turning the handle), the end of yarn is going counter-clockwise. I know, too much information.  And I am just getting started.

Since we can see very clearly how twisty this ribbon yarn gets while crocheting, I wondered if it makes any difference which way the yarn cake (skein or ball) is wound?  You know I had to experiment.

With yarn that is spun and twisted, you can’t easily tell what the ball winding process does to the strand.  So I took a few yards of my ribbon yarn, fed it flat and untwisted onto the ball winder, carefully removed the mini cake, held both ends of the yarn and pulled it open.

Why was I surprised?  The Royal winder put S-twist onto the ribbon; the Lacis winder put Z-twist on it. This would not happen if we un-spooled the yarn in the same way we wound it.  In other words, if the cone or cake turns as we draw yarn, then the strand comes off without additional twist.  But we don’t do that.  The cake stays stationary, so the twist remains.

HOKEY SMOKES!  I never thought about that. I rushed to examine some purchased skeins to see in what direction they were wound and it was impossible to tell. When you look at skeins, the whirls of yarn look clockwise from one end and counter-clockwise from the other end. As I have said, the clockwise-ed-ness of the winding depends on the point of view of the beginning tail and with pre-skeined yarn you can never know which way the winding started.

So I looked at cones of yarn, where the beginning tail sticks out, usually visible at the base of the cone. Every cone I have, regardless of what yarn weight, fiber or twist, is wound the same direction, counter-clockwise, and therefore must create Z-twist in the feed as you draw it off the cone.

Oh, and one more thing I did.  I wound mini balls by hand as I would automatically do, without thinking too much about it.  Being right-handed, I see that I hold the beginning end of yarn in my left hand and tend to wind with the right hand, down the back of the ball and up the front.  Then I wound another ball in the other direction, down the front and up the back, which felt totally weird.  Each time I was careful to keep the ribbon feeding flat through the grip in the fingers of my right hand, but allowed the yarn to do whatever it wanted when it got past my grip.  Wanna know what I found?  Whichever way I wound the yarn, hand-winding added virtually NO twist.  YIKES!  Seems as though the instructions on the back of the Microfiber Ribbon ball are best.

My head hurts.  I honestly don’t know what this all means for my crochet, but you can be sure I’m going to do some more experiments when I am not so dizzy.

Coloring Crochet

You just never know what odd-ball stuff you’ve kept in deep storage in your brain will surface and, seemingly for no reason, invade your consciousness.  My brain remains mercifully uncluttered day to day because I’ve stashed this stuff, like so much yarn, in a maze of backroom compartments, crammed into plastic cerebral tubs.  How else can a person deal with all the input?

There are facts gleaned from reading and research, stupid bits of trivia stumbled upon while browsing the web or watching cable TV, techniques and information learned in the classroom, inspiration and gossip picked up over coffee or during the course of four-hour long phone conversations that were only supposed to last four minutes.  Gazillons of bits will never be called up again in your life. That’s probably a good thing.

Unlike yarn which you purposefully choose, purchase or otherwise obtain and collect, that data amasses whether you want it or not. Also unlike yarn, which you can easily eject from the stash and without regret give away or toss, the brain stuff is irritatingly persistent. You can’t just dump the drive.

It would be nice if I could free up the bits of brain I am using to store the information about how many times Brad Pitt has been nominated for an Academy Award, and replace that with the number of centimeters in an inch, which I still have to look up every fracking time I have to do conversions. 2.54, huh?  Sorry, Brad.  Done.

So this stuff remains to ripen and possibly fester in your darkest back-alley neural pathways. Then one day something pings it to life.  Trust me, that crap is so ecstatic to be free from the confines of the tub that it will rampage around in your head until you do something with it. Purge it. Allow it to streak across the pages of your blog. My friend Vashti and I call this blog-letting, which is sort of like blood-letting only without the horror.

Today’s blog-letting concerns color. Years ago I took a class given by Laura Bryant, who is the founder of Prism Yarns, specializing in hand-dyed classic, fashion and luxury yarns.  Laura is a textile artist, a virtuoso with colors, an entertaining speaker and a wonderful acquaintance, all of which I discovered during the course of the class. Even though I can’t remember the name of the class, only that it contained the words color and knitting, I did appreciate the awesome and awe-inspiring information she taught. That day I learned to look at color in a whole new way, and you can, too.I wish I could say that it stuck with me and that Laura’s words changed my life, but naturally they didn’t.  I locked all that cool stuff in a cerebral tub and blithely went about working with color in my crochet work with the same old, same old unsophisticated eye as I have always. I truly suck at color. Although I can design crochet that’s outside the box, my coloring is very much inside the lines.  I am so matchy-matchy it hurts.

Laura’s favorite axiom is “You don’t get WOW by doing the expected!” and  isn’t limited to color use, but right this moment these words are rolling round in my head like a Technicolor mantra. For some reason I am accessing all that class material and am once again feeling my color empowerment.  I will do the unexpected.  I will do the unexpected.  Soon.

I am not about to spill the secrets here. If you get the opportunity to study at Laura’s feet and learn from her how you to rock your color world, then do it. Check the Prism Yarn site for her teaching schedule. Or you can enjoy her latest DVD, A Knitter’s Guide to Color with Laura Bryant, which you can preview and purchase at the Interweave store here. I just watched the DVD workshop and it’s just as mind-blowing as taking the class, although you don’t get to play with Laura’s piles of gorgeous actual yarn the way we did in person.  Unless you have a world-class yarn stash at home. 🙂

Win the Latest from Crochet’s “It” Girl

With her beauty queen good looks, megawatt smile and even more brilliant design talent, Kristin Omdahl has rocketed across the crochet and knitting firmament, leaving the rest of us to flounder in her jet wash and wonder what the hell happened.  From her heart-breaking backstory to her latest triumph, Seamless Crochet (Interweave Press, 2012), Kristin’s rise to stardom is the stuff of legend.  She is the It Girl and, yes, I am more than a wee bit jealous.  But if she wasn’t one of the hardest-working designers I know, if her heart wasn’t as huge as her talent, if she wasn’t such a genuinely lovely person, I would not be here wrapping up her blog tour today.

I met Kristin in 2007 at a TNNA (The National NeedleArts Association) industry show in Columbus.  She had just flown in from Florida, totally frazzled, the beginnings of horrible blisters on her feet from unfortunate footwear, dying for an ice-cold fountain Coke.  Other than that she was wonderful and I think we hit it off. I know these photos were taken while we were waiting for a TNNA fashion show to begin, but I can’t recall if this was 2007 or 2008.  Maybe Kristin remembers which.  Anyway, we were sitting next to each other but the camera was pointed at her then at me.  You can see bits of us in each other’s photo.

Although our careers took us along different paths, we did collaborate once, in 2008.  Kristin and I each contributed four designs for the Filatura di Crosa booklet Superior Crochet, which I understand is still in demand and difficult to get. Her work is stunning and inventive. It is clear that we both share a love of lace and we both think about crochet outside the box.

It will also be clear, once you have seen this new book, that she and I mean different things by the term “seamless”.  In Seamless Crochet, Kristin has put her spin on a traditional way of working motif-like stitch patterns in one piece. From the book’s introduction:

“When I first discovered the technique of creating and joining motifs without the need for cutting the yarn between them, I wanted to squeal with delight. Over the last couple of years, I have been exploring the technique and coming up with new motifs to showcase fun crochet projects with a minimum of tails to weave in (often only two!).”

The results are very cool. If you haven’t been following the book tour, please visit any of the previous stops for insightful reviews and revealing interviews with Kristin.

SEAMLESS CROCHET BLOG TOUR

1/25   
AllFreeCrochet.com

1/26  
Crochetville.org

1/27  
CraftGossip.com Crochet Guide

1/30  
Crochet by Faye

1/31  
About.com Guide to Crochet

2/1   
She Knits When She Should be Writing

2/2    
Sara Likes to Make Stuff

2/3   
Jimmy Beans Wool Blog

2/6    
Rebecca Velasquez Designs

2/7    
Yarn Thing Blog and Podcast

live interview with Kristin, 12 pm Eastern

2/8
Hook and I

2/9
Faina’s Knitting Mode

2/10
The Crochet Doctor

2/11
Stylish Knits

Seamless Crochet is available now as a book & DVD combo, and also as an eBook and DVD download that you can purchase online and receive instantly. Click here to learn more about the Seamless Crochet eBook & DVD download.

Please join me in congratulating Kristin.  I’m thrilled that Interweave Press has allowed me to give away an e-copy of the book to one lucky reader here.  Just leave a comment below for a chance to win, and check back on Wednesday evening, 15 February as I reveal the winner. Good luck to all!

An Obliquely Crochet Obsession

In a clear-thinking moment I’d be forced to admit that this is not a revolutionary product.  It cannot and does not stand at the pinnacle of human achievement in the same way as other inventions, for example the wheel, the light bulb, microwave ovens, Pop-Tarts and the crochet hook.  But the thing that has become my current obsession is so simple, so functional and  so majorly cool that I feel the need to share here.

From the moment I held this thing in my hand, judged the smooth curves and nearly weightless heft of it, I sensed I was witnessing something divine. What is it, you rightly ask. A better question would be why has it taken so long for someone to do this. It is the most perfect container/dispenser of hand cream that I’ve ever held.Working with yarn and crochet or knitting tools takes a toll on your hands, as do the mundane tasks of everyday living.  I have allergies to some animal fibers and to some extent to my own dog who is in turn allergic to wool.  Unspeakable torture follows if I touch my face or eyes directly after handling these things.  So I wash my hands frequently throughout the day, which takes another kind of toll on your skin.  To counteract and ameliorate the effects of this obsessive hand-washing I use a crap-ton of hand cream.

Although I will test drive any product that’s around, lately I’ve gotten pretty picky about what I keep in good supply.  I have my favorites, as I am sure you do, too. But today I am not evaluating the product itself, rather I am extolling the wonders of the packaging.

It would make sense to keep hand cream dispensers right at the locations where washing occurs or wherever else it occurs to me to apply hand cream. But as there are several sinks here and many places where I sit, work, write and ponder the nature of existence, like in my car, it became impractical to leave a dozen hand cream tubes lying about in anticipation. I tried this approach and discovered that those tubes never stayed put. They migrated. At the end of the day I’d find three in one place and none in another, or worse, just the cap from a tube next to the sink with no clue as to where the tube itself had gone.

The sane thing to do would be to carry one around with me all day.

Away from home it’s all about throwing the tube in your handbag.  Unless you don’t mind carrying a big purse, you’d need a container that is portable or travel sized, lightweight, crush-proof, with a cap that will never ever ever inadvertently come off and allow hand cream to be deposited all over the inside of your bag.  At home, assuming there are pockets in your pants or shirts, and that those garments are loose fitting enough to actually squeeze something into those pockets (neither assumption holds for most women’s clothing), you’d want something even more portable and not a pain in the butt if sat upon.This is the one; the ultimate in portable hand cream packaging.  Smaller and lighter (even when filled) than my cell phone, it sits perfectly cradled in you hand. There’s a soft little dent or depression in one side that accepts your thumb and invites you to squeeze. The plastic body has a satiny smooth finish and is seamless, with no points or raggedy bits to snag your yarn, purse contents or pockets. The cap is a tapered flip-top (no lost caps) that closes with a firm snap (no spills) and is flat (no jab in the butt). It’s sexy.  As sexy as hand cream packaging ever gets, anyway.

Admittedly, this little darling is a bit pricey for a mere 1.5 ounces (44ml) of product for $3.99 full retail. But the formula is fairly clean, labeled 97% natural (which begs the question what could possibly constitute the 3% part that is by inference NOT natural), no parabens, no mineral oil, no petrolatum, no lanolin. It currently comes in three fragrances, none of which are my favorite but none are objectionable or overpowering: cucumber in the green tube; fresh, white floral in the aqua tube; fruity berry in the pink tube.  Although the company calls it hand lotion, it is nicely thick like a cream, easily applied and absorbed, not sticky and so far effective.  I can’t say if the softness and moisturizing effects are lasting since I wash and reapply so frequently.  But for my money, it’s not about the product.Because once you have emptied the paltry one and a half ounces of cream (which I can go through in a couple of days), don’t cry and rush out to purchase another tube.  I am a firm believer in recycle, reuse, repurpose. If you do it carefully and gently, you can pry off the top. Don’t twist.  Insert the tip of a blunt blade under the lip of the cap and lift. Refill that baby with whatever you want.  Snap the cap back on. Smile. 🙂

The company, EOS (Evolution of Smooth), could be a brand or division of some giant corporation.  Or not.  I really love their egg-shaped lip balm packaging, too, which my friends and most kids think is a riot.  You can find this stuff in drugstores and online.