>New to Crochet?

>Hokey Smokes!  March is flying by and still I have not joined in the celebration of National Crochet Month.  You’d think I could come up with something extraordinary to contribute.  As a professional designer and author I spend most of my time in my own crochet alternate reality.  There are days and weeks on end where I hardly talk to anyone but other crocheters who deign to come out of their own crochet alternate realities.  I have to be reminded that not everybody speaks the language.

Chloe and Clarity Cardigans, Interweave Crochet, Spring 2010

So today I am sticking my head out of my timeless tunnel and offering a few words to newbie crocheters. Meanwhile, for any avid crocheters who have ventured this far into the post, I will put up some images of designs I have out this season, sprinkled like fairy dust throughout this long tirade. Hey,  I do hope that you are coming to the craft as a result of reading or hearing about NatCroMo, and that the hype has sucked you in, because a lot of people have done a whole lot of work this month just to get to you. Perhaps you are a knitter or other fiber artist and you’re now looking to add crochet to your skill set.  Or maybe you’ve never before held a skein of yarn in your hands, but you’re attracted to this thing we do.  I have three words to say.  Crochet ain’t easy.

Tokyo Vest, Tahki City Crochet
Man, we all hate moments when we are made to feel unbalanced, stupid and foolish.  It’s like fussing with the back of your hair or trimming your bangs while looking in a mirror.  Don’t you always go the wrong way?  Doesn’t it make you feel dumb?  Or it’s like tying a bow tie on yourself.  It’s supposed to be exactly like tying your shoelaces.  But damned if the fact that you’re looking at it from the other direction makes it so much harder. Hey, my guy still can’t do it for himself.
Graceful Lacy Cardigan, Crochet Today, March/April

Our human pride begs us not to go there.  Avoid those situations that can only lead to awkwardness.  Life is too short to spend any of it undermining your ego.   So how can I convince you that my beloved craft is worth it?  There is no question that learning to crochet is often frustrating, with agonizing hours spent fumbling around and pitiful little to show for it.  At first you have to think about the movements of every fracking muscle in your hands and wrists as you struggle with using the hook and maintaining tension in the yarn.  And there’s the hitch.  Thinking.  What has to happen is that you must remove the cognitive process from the equation and fly on purely physical auto-pilot.

It’s like driving. I can get in my car and arrive at the supermarket and not remember driving there.  This is not about being careless, preoccupied, distracted or asleep at the wheel.  I am certain that it was uneventful, even pleasant, and that I have driven quite well and lawfully, but the trip was on total auto-pilot.  I am so used to my vehicle and the route to the destination, so accustomed to performing the actions of steering, braking, accelerating and adjusting for traffic and conditions, that I don’t actually think about any of it.  I just do it.

Marseilles Jacket, NaturallyCaron.com

Not having taught crochet a great deal, and with limited experience teaching absolute beginners, and not the slightest memory of actually learning to crochet as a girl (it might have been by osmosis!), I can still feel your pain.  I am the world’s worst student. That rascal Dee Stanziano, in her class Pushme-Pullyu, forced me to examine my so-called skills from a different perspective.  She made us crochet backwards, first with our other hand (for me that’s the left) and then with our regular hand.  It made me feel as though I didn’t know how to crochet.   At the time I am sure I cursed Dee and the devilishness of it all.  But it turns out the embarrassing experience in that class gave me a greater appreciation for what it must be like for a newbie.

The hands are eloquent when the brain is mute. The moment your body “gets it” and your brain stops thinking about each tiny motion and nuance, and you let go of the beginners’ mantra going round and round in your head (I particularly like “hook up, hook down, pull through”, but each teacher will dispense her own), that’s the epiphany.  The goal and the ultimate reward is getting to that point where your hands “know” what to do, smoothly and automatically.

Kylara, Crochet Lace Innovations, April 2010

So what will it take?  Another brand of teacher might admonish you to practice, practice, practice.  Wax on, wax off. That makes it sound so boring.  The word practice has such negative connotations.  Visions of working back and forth and back and forth with the same stitch though a gazillion yards of yarn.  Sort of like {shudder} swatching.   I prefer to say play.  Take up your hook and yarn and play, play, play.  The more you play the closer you’ll get to nirvana.

Melisande, Crochet Lace Innovations, April 2010

And then you can start feeling cocky.  Don’t worry about what you think you know or what skill level you’re at.  Pick a project that appeals to you.  One that has you drooling.  Try it.  Wing it.  Fly.  So what if you mess up.  So what if it’s not perfect.  So what if you have to learn stuff as you go.  There are all kinds of ways to find help, online tutorials, pattern support from designers and other crochters.  I hear all the time from fans on my forum at Ravelry, Doris Chan: Everyday Crochet (where I lurk), that sometimes the first time through one of my patterns is the learning curve.  They work and rip, work and rip some more and beat themselves up all the while. But, watch out!  The second one be brilliant.

As for how long will it take, it depends.  I have taught knitters to crochet in 15 minutes.  On the other hand it might be better for a student to approach crochet without any particular yarn experience or bias.  No habits to unlearn.  But here’s my belief.  If you can tie your shoelaces, you can crochet.  And when crocheting feels as natural as tying those laces, then you’ll understand what all the fuss is about. Do you trust me?

>CGOA 2010 Design Competition is a GO!

>So I raised my hand.  Volunteered.  What was I thinking?

I am the chairman of the CGOA 2010 Design Competition Committee, the point man for what could become a controversial event.  I welcome the brou-ha-ha.  HA-HA!  As long as you enter, you are allowed to grouse all you want about it. 🙂

Here’s the official announcement, FYI:

The CGOA 2010 Design Competition needs your creativity. Here’s a chance for the Guild membership to show the world the best of what crochet can do. Whether you are a published or professional designer, a talented amateur hobbyist, or a total crochet-a-holic, you are invited to enter your most amazing original creations for consideration. Judging will take place on Thursday evening, July 8th, at the gala Awards Ceremony during the CGOA 2010 Conference in Manchester, NH. You don’t have to be there to win, but you’ll definitely want to be part of the excitement and see the eye-popping display of entries.
Thanks to generous grants from our sponsors, including Coats & Clark, Boye Needle, DRG Crochet! Magazine, Interweave Crochet, and Caron International, we have thousands of dollars to be awarded: one grand prize of $1,000 plus, in each of six judging categories, $300 first prize, $200 second prize, $100 third prize, and special awards to be announced.
This year’s categories are more inclusive than ever:
–Fashion, Adult Eveningwear and Special Occasion, including gowns and dresses
–Fashion, Adult Daywear (for women and men), including sweaters, tops, skirts, jackets
–Baby and Kid Stuff, including clothes, toys and other small wonders
–Accessories, generally small pieces, including wraps, socks, scarves, hats, bags, jewelry
–Home Décor, both functional and decorative items, including afghans/throws, wall hangings, kitchen/dining accessories
–Thread Crochet
The competition is open to CGOA members only. All entries must be original designs. All crochet techniques are encouraged, using any materials you like. Other fiber, needle and crafting arts may be incorporated in your design, but the overall impression must be crochet. Entrants will not be required to furnish written patterns. Please see the official entry form and information package for complete rules and details. Entries must be shipped to arrive at the collection location between June 1 and June 15, 2010. So grab that hook and get to it.
Download your entry packet from the CGOA web site or the CGOA Now blog .
DEADLINE FOR ENTRIES IS JUNE 15, 2010
Email questions to:  DesignContest@crochet.org
Submitted by Doris Chan, Chairman, 2010 Design Competition Committee

The entry package is not quite posted yet, but in a day or so you’ll be able to download that pdf and then you can start wingeing.

>The Giving Season

>I met Tammy Hildebrand in Manchester, New Hampshire, at the 2004 CGOA Chain Link Conference.  She didn’t have red hair then (!), nor did she have Chronic Lyme Disease.

Tammy and her husband George were standing in the lobby area of the conference hotel when I wandered by.  Tam stopped me and totally gushed, I mean GUSHED over whatever crochet lace thing I was wearing.  She had signed up to meet with Rita Weiss and Jean Leinhauser, who were scouting talent for their upcoming book projects for Creative Partners.  All Tammy and the rest of us wannabe designers knew was to go to the lobby. Only thing was, Tammy had no idea what Rita and Jean looked like. So, after hanging around the lobby for a hour, well past the appointed meeting time, Tammy was tempted to give up.

Turns out Rita and Jean had been holding court the whole time just across the lobby from where Tam was waiting, sitting and chatting with the crowd of admirers.  Who knew? Tammy was so upset imagining that she had blown this opportunity.  So I took her over, introduced her to the dynamic duo, and we shared my appointment time.

We became the best crochet buds.  We have helped each other many times with deadlines and problems.  Tammy is the kindest, most generous soul, with a huge heart, a wacky sense of humor and, up until a couple of years ago, boundless energy.  But today Tammy struggles with this stupid disease.  Not just the disabling symptoms, but also the mounting financial burden that has become more impossible to bear than the disease itself.

So the friends of Tammy Hildebrand have gathered together to raise much needed funds.  Please visit the Help Tammy site and see what we are doing.  An ostentation (or whatever the collective term is for us!) of designers donated books, patterns and crocheted objects that will be awarded randomly to anyone who makes a monetary pledge by December 20th.  I am offering a signed copy of Everyday Crochet and the Mei-Mei garment sample featured on the book cover.

Thank you so much in advance for having as big a heart as my friend Tammy.

>Mom and Me

>When did I become my mom? It happened so gradually and sneakily. All those adolescent years I railed, ranted and rebelled over the steady, calming oversight she unstintingly provided as I grew into my independence, all those moments I totally resented being parented, all came into extreme focus in Buffalo at CGOA Chain Link. Because I spent one whole day mothering my mother.

She has only functional abilities in English, only the merest glimmer of the many things I have written about her and no idea at all of the resulting notoriety she owns among my friends and fans. There had never before been an opportunity for me to introduce Mom to my crochet world. She is even less happy with traveling than I am, and can hardly be coaxed out of her comfy home except for the weekly line dancing classes with her senior groups. And the ritual bus trips to Atlantic City to commune with her favorite penny slots.

Finally, earlier this month at the event of events for the crochet community, I brought along my mom. We road tripped the 9 hour drive together, with me driving and Mom dispensing coffee, snacks and running commentary. She stayed at my brother’s home not far from downtown Buffalo, and mercifully not with me at the venue hotel. Relationships between mothers and daughters aren’t always easy. I envy those women who can honestly say that they could spend time in close quarters with their moms and not go stark mad. I expected the worst. What I got was a revelation. Illumination.

You know how parents are advised to really listen to their kids. Well, for the first time in many years I had an opportunity to truly listen to my mom. I didn’t make her hang with me the entire week of the conference since I anticipated I’d be running around taking care of the business of eventing. I set up a schedule for her one day visit to the convention center. I tried to anticipate her needs, play on her interests, make her feel comfortable among so many ardent and loud strangers. I went so far as to draft my friends as watchdogs to show her around while I was busy and couldn’t just play, for fear that she might wander off alone and feel lost. In other words, I was mothering her. I needn’t have worried.

Here we are minutes after her arrival downtown. She chatted easily with Tammy (“Sammy”) Hildebrand on her right and with Vashti Braha on her left at the Coffee Spot where we gathered on Friday morning.

 

These two photos courtesy of Vashti.

She charmed all my friends being her adorable self, without my shepherding, without my running interference, without translation. She shopped the market on her own, purchasing a gaggle of beaded bracelets that will surely wow the crowd at line dance class. She examined every entry in the 2009 CGOA Design Contest and voted for her Peoples’ Choice. She voted twice, actually. Her sentimental choice was, now that I can report her transgression without repercussions, the pretty pink freeform vest designed by her new friend (and my best conference mate) Diane Moyer.

Hokey Smokes! That is so ME… voting two times, that’s something I would have done had I not been one of the official judges! She sat in with me for the last hour of Dee Stanziano’s PushmiPullyu class, and although I doubt she understood what was being taught, still she made friends with class members. She attended the CGOA membership meeting that evening and circulated with me during Drew “Mr. Hospitality” Emborsky’s New Member welcoming party after the general meeting. She even got to chatter in Japanese with my new friends Kang and Kazue, the reps from Tulip Co.

Kang, Mom and Me at dinner Friday night, photo by Kazue
During the long road trip home (isn’t it strange how the trip home always seems so much longer than the trip there?) I not only listened to Mom, I also really looked at her and for the first time in many years, I saw her. She is me. I am she. OK, I actually have more gray hair than Mom does. And she is majorly partial to bling, whereas I am not. But you can see what I mean, huh?

>2009 CGOA Design Contest: LOOK, LOOK!

>I’ve managed to scrounge up a few images of some the winning garment designs thanks to shutterbug friends.

GRAND PRIZE
Crochet Confection Evening Gown by Renee Barnes

PEOPLES’ CHOICE AWARD
Wedding Dress by Paula Bennett

FIRST PRIZE FASHION

Flamenco Dance Dress by Patricia Williams

SECOND PRIZE FASHION

Ocean Fiesta Dress by Andrea Graciarena

THIRD PRIZE FASHION

Sophisticated Spring by Paula Bennett

FIRST PRIZE CROCHET AS ART

Heartrock Hotel by Gwen Blakley-Kinsler

Thanks to Vashti for the photo of Myra Wood backstage at Saturday night’s fashion show modeling Paula’s third prize winner. That’s Kang Hyo Min in Pat’s Flamenco dress and Kazue Ohara in Andrea’s Ocean Fiesta dress, images kindly coughed up by Drew Emborsky. They are my (tiny-sized) new friends, reps from Tulip Company, who were exhibiting at the Knit&Crochet show this year. From the way they are beaming, Kang and Kazue didn’t seem to mind being drafted to wear these brilliant winning designs. 🙂