>Trellis: Crochet Comes to Knitcircus

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True to her word, Jaala Spiro, editor of Knitcircus, drank the KoolAid and has added crochet designs to her lovely online knitting magazine.  The Spring 2011 issue contains my Trellis stole, done in a majorly cool stitch pattern that is a variation on filet crochet technique.

If you were at Vogue Knitting Live last month, and if you happened to wander by the Bijou Basin Ranch booth all the way at the back of the second floor of the market, and if you noticed that bright pumpkin colored crocheted scarf on display behind the comfy sofa and if you were wondering where you could find the pattern for it… wonder no longer.  This is the stitch pattern I used to make the display sample.  The Trellis pattern gives you enough information to substitute your choice of yarn and gauge to make whatever dimensions you desire.  So instead of the Spud & Chloe Fine as shown in KnitCircus, I crocheted a smaller proportioned scarf out of one hank (150 yards) of Bijou Spun Bijou Bliss, a blend of yak fiber and Cormo wool that is softer than you can imagine.

Follow the link  to see and read the Spring 2011 issue of Knitcircus.  To receive the pattern collection, simply subscribe.  I believe it costs $7.99 for all the designs in the issue, mostly knitting, but including the Trellis, and that makes it a very good value.

>Free Crochet Pattern with "Hand Candy" Purchase

>Hand Candy (aka yarn).  Works for me.  Thanks for the term, Renee!

What goes great with hand candy?  A free crochet pattern comes to mind immediately.  Almost immediately.  Right after coffee (which habitually comes to my mind whenever I have to think about anything), wine (the libation that liberates creative passion and floats the mind past pragmatic crochet concerns like how in the heck is this stitch construction ever gonna work?), and chocolate (for which no rationalization is ever necessary).

For all my crochet friends coming to Vogue Knitting Live in New York City this weekend, 21-23 January 2011, Tahki Stacy Charles Yarns, Knitty City (the upper west side destination LYS) and I have created this awesome promotion.  Please stop by the Knitty City booth at the VKL marketplace (booths 2301, 2303, 2305, 2307) to see our lovely design, Variations, a set of three projects in Filatura Di Crosa Superior (the most satisfying hand candy I’ve had the pleasure to sample).  Choose your shade of Superior, a gorgeous fingering weight luxury blend of cashmere and silk, and with your purchase, you’ll get this free pattern.

Here is the Wrap Variation, a twisted infinity style wrap.  Also included are instructions for a scarf and a stole.

I will be wandering around throughout the event, but if you want to catch me being good and still, find me hanging out at the Tahki Stacy Charles booth from 1 pm on Saturday and signing books at the Knitty City booth from 1 pm on Sunday.  Wear crochet so we’ll know each other!

>On the Road: Broomstick Crochet

>It’s never a good thing to admit that you hear voices inside your head.  What has been pestering me for the past couple of years isn’t quite a voice, more like the tap-tapping of a pipping chick on its shell, the sound of an idea that needs hatching.  On the other hand, it could be the tick-ticking of a timer rigged to detonate a kilo of C4. Whether it’s a bird or a bomb… that sort of depends on you guys. For the voice I am hearing, the one I am poised to heed, is the call to teach.

There is a saying that those who can, do; those who can’t, teach.  That’s total rubbish and a disservice to and denigration of the profession.  For me, doing crochet is natural.  Designing crochet, while not always straightforward or easy, is a pleasure and a passion.  Teaching crochet is ungodly difficult. Teaching is ground not to be tread lightly or hesitantly.  Teaching demands patience, planning, preparation and perspiration, none of which I felt capable of giving until now.

Before I began writing my third book, Crochet Lace Innovations, I was convinced I would never teach.  I disliked school, classrooms and {choke} homework. I could never put myself in the position of inflicting any of that on anyone else.  HA!  It’s amazing and scary how writing a book can lead to self-discovery.  As I went on to write, “The optimal time to teach is when you yourself have just absorbed something so fantastic, are so totally fired up with the process that you simply can’t wait to share it with someone.  Great teaching isn’t about parading you expertise; it’s about bringing someone else to your skill level along the path where you’ve just been.”

I had always assumed that teaching would sap precious time and energy away from my primary mission, to design and share awesome crochet.  What I discovered over the past two years since writing those words in my book is that teaching crochet, explaining and demonstrating for others what I do, getting in touch with crocheters and pattern users face to face, will ultimately benefit my designing.  It is so worth what I will gain in return in terms of solidifying my own commitment to the craft, finding out what makes crocheters truly happy, making myself a better designer. All I needed to push me over the precipice into fully realized teacher hood was the same triumvirate as crime solving:  Motive, Means and Opportunity.  All three have come together in a cosmic confluence that can not be denied.  In other words, I have run out of excuses!

Although the material that crocheters most want to absorb from my brain concerns my chief MO, seamless garment design, I had to face the reality that it would be impractical and likely impossible to cover the subject in a single three-hour session.  And there would be much, much homework.  And I would have to be very strict about who could sign up, as a master-class on this level assumes students possess not only advanced crochet skills but also the stomach for it.  That class must wait for a future set of Motive, Means and Opportunity.

For my first gig I have chosen a more accessible topic, one that I know will be fun for all.  I am so excited about teaching this because it is crochet technique I absolutely love and can’t stop doing (Motive).  I not only dedicated a chapter to it in my last book, but have also been busily writing about it and offering Broomstick designs for publication, which you will see in the coming seasons, so I feel mightily empowered to show others how to do the technique (Means).  And I was asked by a really great guy, founder of the Merritt Bookstore family and genial book signing host Scott Meyer, to put together a demo to go with my scheduled appearance this year at the NYS Sheep & Wool Festival in Rhinebeck, NY (BINGO…  Opportunity!).

So, on Sunday morning October 17th, 2010 I present the premier of Magical Broomstick: Crochet Lace in a Flash.  Follow the link to view the details and to sign up.  Registered students receive a free two-day pass to the Festival.  And my students will get, courtesy of Caron International and the Tulip Company, a complimentary Etimo cushion grip crochet hook.

Also, if you’re in my neck of the woods, please join me for an afternoon of crochet at the Chester Springs Studio, a vibrant arts center at Historic Yellow Springs in Chester Springs, PA, Saturday, 13 November, beginning at noon.  From 1 to 3 pm I will be giving the above Magical Broomstick workshop, with a wrap-around of free mini-clinics for crochet learning and Q&A before and after.

I guess I have to bite the bullet and create a blog page for my teaching schedule.  YIKES!  I never imagined doing that.  Never say never.  🙂

>Hitting a Smaller Target: Conclusion

>Perhaps you thought I’d never get to the pay-off promised for this series of posts.  You’d be correct.  I totally intended to spill all I could offer about small sizing.  But the more I tried to put the answers into a set of blog posts, the more I came to accept that it’s not gonna happen in this blog-o-sphere.

What has happened since I started down that road a couple of months ago is that I’ve had a brain blast.  I decided to create small size designs and publish them as individual patterns.  Since there is no proven market for girl/tween/teen sized crocheted garment patterns, generally big girl sizes 6 through 16, I have been unable to find a traditional publishing venue eager enough to help me go there.  So I am planning to self-publish the lot.

I know.  I KNOW!  I have said here that I am a crocheter, not a publisher.  Never say never.  Put the blame squarely on my friend and now my boss, Vashti Braha.  Vashti has just rolled out the welcome mat for her new website, www.DesigningVashti.com, the ultimate crochet destination, pattern boutique and crochet information treasure trove.  Using her uncanny powers of persuasion and threatening me with bodily harm if I didn’t cave in, Vashti talked me into testing the self-publishing waters by inviting me to contribute designs for her beautiful site.  She offered me a comfy cyber-home for my new pattern line, DJC Designs, no deadlines, no hassles, and complete creative freedom.  But she needed a couple of patterns in time for the shopping cart going live this week. YIKES!

What to do… what to do… WHAT TO DO?

I did not want to rush into the girl designs just yet.  But I did have two pet projects that would take to download land really well.  Both designs are more like sets of patterns, encompassing multiple samples and requiring a crap ton of pages to spit out.  Think of these as fat patterns.  Bloated patterns.  Patterns with booklet tendencies.

The first DJC Designs pattern now available is DJC: Triangular Shawl and Variations.

Sample in Tahki Torino with beading
DJC: Triangular Shawl and Variations

Thanks to the designers’ options with Interweave, I retained rights for this little beaded wrap, originally published in the premier special issue of Interweave Crochet, 2004.  Now featuring new stitch diagrams, six fresh shawl samples in various yarns, instructions and suggestions for many gauges and sizes, this deluxe version of the Triangular Shawl will become your go-to pattern for gorgeous, stash-busting stuff for yourself and for gift-giving.

Next up will be DJC: PlayPlaid, a collection of four projects in a clever 3-color plaid stitch.  This is the pattern that includes the pieces I showed in the CGOA 2010 Chain Link Fashion Show last month in Manchester, NH.

Photo credit Alex Iannelli, used by permission

And, if I stop blogging and start seriously crocheting, in the coming season you will see the debut of DJC Designs, Too!, a series of designs including tops, cardigans, skirts, dresses and whatever comes into my head, in girl sizes 6 to 16.  Keep checking www.DesigningVashti.com for the latest DJC Designs patterns, or subscribe to the DesigningVashti newsletter for the heads-up.

>Cotton Classic Lite

>For decades the cornerstone of the Tahki Yarn collection has been the Cotton Classic family; first Cotton Classic, the long-time DK weight favorite, and later Cotton Classic II, the worsted weight big sister.  For as many decades I have been waiting for the little sister to be born.  Congratulations, it’s a sport weight!

New this season, Tahki Cotton Classic Lite is everything I could want in a cotton yarn; it is a versatile, crochet-friendly sport weight, comes in a huge palette of brilliant mercerized cotton colors, features a sturdy Z-twist cable construction, with a non-pilling, non-shedding, smooth drape, is sensibly priced and easy care.

I think I’m missing a shade or two, but you get the picture.  Many cool colors are available.  Here’s a look at the label, so I don’t have to type out the specs:

Look for a plethora of crochet designs featuring Cotton Classic Lite coming out for spring and summer 2010, including a new crochet book from Tahki titled City Crochet.  This top, Paris Tunic, is one of the designs I contributed.

Cotton Classic Lite substitutes beautifully for a number of other yarns, and works for most sport weight applications.  For example, I would swap it as a classier step up from Patons Grace or Red Heart Lustersheen, I’d use it as a non-wool alternative to medium sport weight sock yarns, or as a more affordable sub for super high-end fibers like Tilli Tomas silk Plie.